Before true crime podcasts began having a moment, there was Chris Hansen. In the mid-2000s, people across America watched a man in a trench coat hand a chat-log transcript to a terrified suspect holding a six-pack of Mike’s Hard Lemonade. Hansen and his Dateline NBC crew made gladiatorial reality TV disguised as public service.
It was raw, shocking and it drew great ratings at a time before social media caught fire but after most people had begun using the internet heavily. From 2004-2007, Hansen’s To Catch a Predator, a special offshoot of Dateline that targeted alleged child predators, averaged just over 7 million viewers, bumping up the newsmagazine’s series average by 13%, according to Nielsen.
At the center of this storm was Chris Hansen, whose Dateline NBC segments became overnight watercooler television. But as quickly as his star rose, it later fell after ethical questions arose. Now, a new generation is being introduced to Hansen and To Catch a Predator following the recent release of the trailer for Primetime, in which features Robert Pattinson as Chris Hansen.
The Twilight actor shows a complete transformation in the trailer as he parrots some of Hansen’s best-known taglines, like “What would have happened if I wasn’t here?,” “Why don’t you have a seat,” and “You see how this looks, right?” With his voice a different timber and his appearance mimicking Hansen, he truly puts the audience into the scene of the 2000s, begging the question: Why was this seemingly unsavory subject for a show such a hit?
Why Did Chris Hansen’s To Catch A Predator Work?
Chris Hansen walked so podcasts like Serial could run. While Hansen didn’t employ the sophisticated storytelling techniques we now take for granted in true crime podcasts, he excelled at creating the hero/villain dynamic while also using (some would say exploiting) the new-ish medium of online chats to catch criminals.
He wasn’t a cop; he was a conductor. He didn’t yell; he whispered, asked open-ended questions, and let the silence do the heavy lifting. It’s an approach Pattinson has down pat in the trailer, and it made for great television—and great ratings at a time when NBC began to struggle post-Friends. Hansen became a phenomenon, which Primetime captures.
Chris Hansen’s Shocking Downfall
Many questioned the ethics of Hansen and his team following the 2006 suicide of an assistant district attorney (ADA) in Texas, whose house was surrounded by cops with warrants as well as Hansen’s TV crew after he tried to recruit an “underage boy” (actually a Predator decoy) to have sex.
The Hansen and Dateline NBC sting operations came under greater scrutiny following that episode. Advertisers began to get cold feet about the vigilante-like tactics used to investigate alleged predators. The New York Times ran a story in 2007 detailing two lawsuits against the program, one of them by the family of the ADA. Rival network ABC planned a gotcha-type story on Predator.
Why Did Chris Hansen And To Catch A Predator Get Shut Down?
The show ended ignominiously in 2007 amidst that stunning plunge from grace. Ultimately, Hansen and his crew could never come back from the tragedy of the suicide.
While Primetime plays out like a psychological thriller, the To Catch a Predator true story is deeply mired in legal and ethical gray zones. At the time, “catfishing” wasn’t a common term, and the legality of using decoys as bait was in question.
The film exposes the exact moment network television crossed the line from journalism into profitable vigilante justice when Hansen and crew showed up at the ADA’s home. Primetime is generating great buzz because these questions of art and ethics must be grappled with.
The film isn’t just a biopic about a famous TV host; it’s an autopsy of an era where the news media realized that hunting human monsters was the ultimate ratings goldmine — and Robert Pattinson is uniquely suited to play Chris Hansen as a man ensnared by his own television monster-trap.
