If there’s a clear sign that AI animation is heading mainstream, then the announcement that the nominees from the Frame Forward Animated AI Film Festival will be shown in U.S. Theatres throughout February 2026 is it.
Put together by Modern Uprising Studios, which describes itself as where “art, story, and machine intelligence collide,” the first-of-its-kind AI animation festival invited creators from around the world to submit AI-enabled animated films. From these, three nominees, Thanksgiving Day, The Pillar, and So Close Yet So Far, have been selected to be promoted in U.S. Theatres throughout the February voting period.
The winner will be selected by public vote via the FrameForward.ai festival site and then enjoy a U.S theatrical release in March. They will also receive three months of unlimited access to Flow, Google AI filmmaking tool, and access to Weavy, which mixes and matches different AI engines into one workflow. Finally, Lighthouse Academy, will give out a grand prize scholarship to the winner as well as grants to the finalists.
The AI Animation Debate
Much to the frustration of anyone looking to build a gaming PC, AI animations are now commonplace around social media, and the demand for high performance memory has forced prices of RAM sticks for consumer PCs to skyrocket in the last few months.
While the use of AI in traditional filmmaking has seen pushback from filmmakers such as James Cameron and Christopher Nolan, its use in fully animated fare seems more reasonable, akin to when computers took over from hand-drawn creations in the 90s.
This has led the likes of DreamWorks Co-founder Jeffrey Katzenberg to be a big fan of the technology, stating that AI will reduce the time taken to produce a world class animated film by up to 90%, while other such as Taiki Sakurai , the producer of Pokémon Concierge on Netflix, that not using AI would be “inhumane” compared to hand-drawn animation.
That said the likes of Pete Docter, the CCO at Pixar, has referred to AI for animation as “least impressive blah average of things,” while The Mitchells vs. the Machines director Michael Rianda has said that “studios cannot replace a single artist with AI”.
Come February, U.S. cinemagoers will be able to judge the results for themselves.
